yes-i-am-lucifer:

You just know nobody is reblogging this for the dog

Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature. CD distortion, the jitteriness of digital video, the crap sound of 8-bit, all of these will be cherished and emulated as soon as they can be avoided. It’s the sound of failure: so much modern art is the sound of things going out of control, of a medium pushing to its limits and breaking apart. The distorted guitar sound is the sound of something too loud for the medium supposed to carry it. The blues singer with the cracked voice is the sound of an emotional cry too powerful for the throat that releases it. The excitement of grainy film, of bleached-out black and white, is the excitement of witnessing events too momentous for the medium assigned to record them.

Brian Eno, A Year With Swollen Appendices (via fleurlungs)

(via arabellesicardi)

fantastic

(via hazelcills)
  • The US Government: We're not going to make it federally mandatory for people to get paid a wage they can actually live off of
  • The US Government: If people want to make a living, they'll just have to work 16+ hours a day
  • The US Government: And if their kids end up disenfranchised because of a lack of parental involvement, well that's not our problem
  • The US Government: In fact, what is our problem is creating a system that will funnel these disenfranchised youth into our prison system so they can work for corporations (that promise us money) for damn near free
  • The US Government: If they don't want to fall victim to this system, then they can seek higher education
  • The US Government: Except such an education will be inaccessible to most disenfranchised people and skewed in favor of the financially stable
  • The US Government: And we're not going to make intervention programs like sex education and conflict resolution federally mandatory, because that's the parent's job
  • The US Government: The parent who is working 16 hours a day

asylum-art:

Simen Johan Photography

Simen Johan born in Norway in 1973, who darkly explores the human proclivity towards fantasy and our attempts, knowing or otherwise, to alternate realities for ourselves. Merging traditional photographic techniques with digital methods, Johan creates each of his images from as many as one hundred negatives, having first constructed or discovered each element and photographed it on film. Across his body of work, the viewer is urged to ponder the relationship between the real and the artificial or imagined.

  via artsy.net